Press Notices

“I think for any singer to sing the popular American traditional songs is a great thing,”
Shivick continued during a recent interview.
Worcester Telegram & Gazette, June 26, 2008
Click here to read the full article.

"...sopranos Jane Shivick and Gale Fuller were all in superb voice,
churning through the quartet and playing off and against the powerful and articulate New World Chorale."
Worcester Telegram & Gazette, May, 2008: "Beethoven's Symphony No. 9"

“When Michelangelo yearns to be an artist, his muse appears in the form of soprano Jane Shivick to sing perhaps the finest song in the show, the touching “Deep in Your Heart.” But there are a handful of other songs that stand out, such as the lovely “Pie Jesu” Shivick sings in the second act.
The Providence Journal, “Michelangelo”

“Shivick’s slightly exotic-toned soprano sounded lovely in an aria from Massenet’s “Herodiade.”  But she particularly impressed with her remarkably subtle delivery of the famous “Un bel di”
from Puccini’s “Madame Butterfly.”
The Boston Herald, Concert on the Esplanade (Boston)

“Standing out among the vocal soloists in the Schubert was soprano Jane Shivick, a winner of the Metropolitan Auditions.  She has a big voice that’s a little steely, which sometimes made for a top-heavy quartet.  But Shivick proved that she also has a velvety side, and that she’s always right on target.”
The Providence Journal, Schubert’s Mass in A flat

“Soprano, Jane Shivick boasts a big voice with a metallic ring, bold high notes, and an ardent delivery.  She has all the goods and is on her way to great things.”
The Boston Globe, Boston Civic Symphony Concert

“The soprano Jane Shivick had character and vocal richness in an aria from Massenet’s “Herodiade.”
The New York Times, 1998 Winner’s Concert, Metropolitan Opera Auditions

“Soprano Jane Shivick has a brilliant tone.”
The Worcester Telegram and Gazette, Verdi’s Requiem

“Soprano Jane Shivick has a voice evenly glamorous throughout its compass
and an engaging stage presence. 
She can sing Fiordiligi’s “Come scoglio” from Mozart’s “Cosi fan tutte” – no mean feat.”
The Boston Globe, Boston Museum of Fine Arts Concert